Full Contact Kissing

She presented it in a way I had never thought about. She spoke about a passion one would not immediately think of: kissing. She pointed out how most people in the scene viewed kissing as a vanilla activity, but it didn't have to be. Kissing could be a scene all in itself.

As Symetrie spoke, she made eye contact with a blonde woman sitting a few feet from me. Symetrie talked about connection, creating contact with another human being, letting down all your walls. Symetrie sought to engage her entire self with this other person. 

As she approached the blonde, the intensity in the room grew. Getting closer and closer, Symetrie spoke about the delicious tease, the almost kiss being part of the kiss too.

As Symetrie danced her lips all around the blonde, and then finally let their lips meet, she spoke on how each moment was about learning from each other, constantly checking in, always being present. There kiss was about the now, this moment, this interaction. Their breathing had become synchronized. They were in and of each other.

In a rush, Symetrie pushed the blonde backwards, the blonde's back now against the couch I sat on, her arm touching my leg. As Symetrie continued the kiss, as she interacted with this woman, I put down my pen, tilted my head, and found myself enrapture by just watching them.

When their dynamic switched, the blonde pushed Symetrie down, sat on her, and took control. But, just as quickly, Symetrie again was the aggressor. Symetrie's kiss with the blonde incited emotions in the spontaneous bottom she did not expect. Symetrie ended the kiss, allowing the blonde to melt into the arms of her lover.

Symetrie then brought Roughinamorato to the front of the class.

For this particular part, he would be her demo top. Symetrie noted how Rough was known for his rough body play. She spoke about how impact can still be part of the kiss. Symetrie asked Rough to hit her in her solar plexus and then kiss her.

Rough started unexpectedly. Bringing her in close, he lightly kissed Symetrie's lips...and then pulled her back, punched her sternum, grabbed her hair, and brought her lips back to his.

This first kiss demonstrated, Syemtrie further explained what she wanted. She sought for Rough to knock the wind out of her, but asked him to be wary of her breasts. Rough, ever safety minded, encouraged her to disrobe, which Symetrie did (for safety). 

As her dress came off, Rough asked if Symetrie had ever had the wind knocked out of her from a hit in the back. She hadn't.

Rough grabbed her and swung her around. Using his forearm, Rough hit her once, twice, thrice in the back, knocking the wind out of her. Grabbing her throat, her swung her back around and kissed her, then slipped his hand over her nose. His kiss was now also breath play. As she began to struggle, Rough sighed out, his breath entering Symetrie's lungs, giving her the sensation of breathing while still depriving her of oxygen.

After Rough released her lips, Symetrie informed the class we were going on a field trip. Walking upstairs, we invaded Gray's Intro to Rope class. For this last lesson, Symetrie spoke about using implements as an extension of a kiss. Gray caressed his rope across Symetrie's body, using tension, his goal to convey the feeling of himself through his rope.

Finishing up, Symetrie left us with a few thoughts. What reaction did we want the other person to have? What sound did we want to occur?

Symetrie then released us to go practice what we learned.